Gilberto santa rosa carnegie hall

The CBS deal opened up new doors for him, as his music would now be distributed internationally, far beyond the shores of Puerto Rico and the streets of New York and Miami. A Pesar de Todo. In his last year with Combo, Santa Rosa was extended an offer by CBS Discos, one which he eventually accepted, partly on account of the label's rich tradition. Moreover, the album was Santa Rosa's most commercially successful to date:

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Yet his talents were well evident, for he was a rousing performer with a deep-rooted grasp of tradition, which garnered him respect among salsa purists; plus, even early on in his career, he was a well-capable interpreter of songs, tailoring them fittingly for various moods.

In his last year with Combo, Santa Rosa was extended an offer by CBS Discos, one which he eventually accepted, partly on account of the label's rich tradition. The same team of arrangers and songwriters who had worked on Punto de Vista worked on Perspectiva, give or take a few: About Gilberto Santa Gilbberto.

At this point in his early twenties, Santa Rosa had grown into a talented sonero, earned recognition in the salsa community, and roa no longer known as El Bebe de la Salsa, as he once had been. BORN 21 August Esencia proved extremely successful, as did the partnership between Santa Rosa and Lugo.

‎En Vívo Desde El Carnegie Hall by Gilberto Santa Rosa on Apple Music

Throughout his long career, Santa Rosa demonstrated a strong sense of character: Each of these veterans was at one point in time somehow affiliated with Rodriguez, and their carnegis and playing greatly contributed to the old-fashioned style of A Dos Tiempos de un Tiempo.

For sure, there's significant interest in his music and respect for his talent; however, there's little consensus about Santa Rosa's position within salsa, since his style is ever-changing.

Franco de Vita For better or worse, this drift toward elegance continued on En Vivo Deside el Carnegie Hallwhich was a prestigious affair. It was no surprise, then, when he pursued a solo career with Combo Records, one of the leading salsa labels of its time. Gilberto Santa Rosa [Live].

En Vivo Desde El Carnegie Hall

Rodriguez had died 20 years earlier, and this album commemorated his passing. Critics and fans were pleased by the fresh style of the music, which is eclectic and energized whereas the past couple albums had begun to show signs of stagnation. Conteo Regresivo Salsa Version. A Pesar de Todo. Indeed, Santa Rosa recorded a number of truly great albums over the course of his long career, yet Perspectiva remains one of his most memorable and most perfect achievements.

En Vivo Desde El Carnegie Hall - Wikipedia

His straight-ahead, dance-oriented albums e. He began his solo recording career in on Combo Records, based in Puerto Rico, before moving to Sony Discos in and remaining there for a long run of albums, most of them very successful, if not critically then at least commercially.

The album was the salsero's greatest success yet: Most of Santa Rosa's normal team of arrangers, songwriters, and musicians were absent for this album.

Consequently, Santa Gilberrto is one of the more discussed salsa artists of his time. Los Pleneros del Quinto Olivo. Listeners Also Played See All.

Que Alguien Me Diga. Granted, he didn't establish himself as a songwriter, nor as an arranger.

If Santa Rosa's music tends to differ stylistically from album to album, if not sometimes even song to song, his legacy remains firmly in place. This resulted in a similarly styled yet more-refined batch of songs.

His style of salsa isn't easily categorized, for he often changes approach from one album to the next. The CBS deal opened up new doors for him, as his music would now be distributed internationally, far beyond the shores of Puerto Rico and the streets of New York and Miami. Mis 30 Mejores Canciones. The album was consequently well received, even if it didn't cross over the same way Viceversa had. Gilberto Santa Rosa

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